Marketing Program/ Banner/ Listening Station Titles Promoted This Week:
Bobby Cole – A Point Of View [Reissue/1967] CD (Omnivore)
Bobby Cole held court at Jilly’s (Frank Sinatra’s favorite “bistro”) for many years. Cole’s other gigs around New York landed him a recording contract with Columbia, but the 1960 release from The Bobby Cole Trio, while well reviewed, failed to gain traction. It featured no original material from Cole and was essentially a recorded version of his Jilly’s act—one hard to capture on LP. Garland invited the New York jazz singer to become the new musical arranger for CBS’s The Judy Garland Show in Los Angeles. When that show ended, Cole returned to New York and Jilly’s. Jack Lonshein, whose day job was creating covers for artists including Sarah Vaughan, Maynard Ferguson, Coleman Hawkins, Lester Young, (and eventually Big Brother & The Holding Company and The Amboy Dukes), was a friend of Cole’s. He knew Bobby’s magic, and original songs, were what the jazz world needed. Taking things into his own hands, A Point Of View was released on Lonshein’s own Concentric Records. This reissue is expanded with 12 bonus tracks. [Vinyl edition TBD.]
High Pulp – Pursuit Of Ends CD/LP+MP3 (ANTI-)
Drawing on bebop, punk rock, shoegaze, hip-hop and electronic music, experimental jazz act High Pulp deliver Pursuit Of Ends. The music of High Pulp music is simultaneously vintage and futuristic, hinting at everything from Miles Davis and Duke Ellington to Aphex Twin and My Bloody Valentine. The songs on Pursuit Of Ends balance meticulous composition with visceral spontaneity, while the performances are nothing short of virtuosic, fueled by raw, ecstatic horn runs ducking and weaving their way around thick bass lines and dizzying percussion. [An indie store exclusive vinyl pressing is so May 20.]
Prince Daddy & The Hyena – Prince Daddy & The Hyena CD/LP (Pure Noise)
The new, self-titled release from the Albany, New York-based indie punk band dives into the theme of life coming to an end, both vocalist Kory Gregory’s own life and fear of his friends and loved ones aging and dying. Gregory expands on why by saying, “It’s the first time that it’s hit me as an adult, the first time that the impermanence of everything struck, and that sent me into a little existential spiral.” [A limited-edition gold color vinyl edition available. An indie store exclusive color vinyl pressing is due June 10.]