AIMS Marketing Program/ Featured Titles Promoted This Week:
American Aquarium – The Fear Of Standing Still CD/LP (Losing Side)
“The Fear of Standing Still is a record about growing up and growing older. I am not the wild partying 21-year-old rock n roll front man that I used to be. I’m a husband. I’m a father. I’ve been sober for a decade now. It’s a record that proves you don’t have to always be going 100mph to find success in this business. It’s a record that says ‘it’s ok to take a minute to reflect on how far you’ve come, not worry about how much further you have to go’. For the longest time I thought that if I took my foot off the gas for even a second, I would lose all the ground that I had gained. Fatherhood changed that. I’ve found a beautiful balance between rock ‘n’ roll and family, and I wanted a record that showcased that freedom. In the studio, I’ve always strived to find the perfect balance between showcasing the songwriting and the fact that I have a great rock ‘n’ roll band.” [An indie store exclusive ‘blue jeans’ color vinyl pressing is available.]
Blur – Live At Wembley Stadium 2xCD/2xLP/3xLP (WB/Parlophone)
Blur celebrate the one-year anniversary of their Live At Wembley Stadium show with the release of the concert. Live At Wembley Stadium is a collection of songs captured across two unforgettable nights last summer – the biggest shows of the band’s 30+ year career to date – which saw Damon Albarn, Graham Coxon, Alex James and Dave Rowntree perform to over 150,000 fans at Wembley Stadium, Blur’s first time ever to play the iconic London venue. [A triple-LP vinyl version is available.]
Crack Cloud – Red Mile CD/LP (Jagjaguwar)
Red Mile’s sound breathes expansive energy into the circuitous, street bound sonics of Crack Cloud’s prior material. Fizzling synths intertwine with chiming pianos. Songs layer like Russian nesting dolls; one may find a Ramones chorus set within a desolate Western prog soundtrack only to watch it erupt into a joyous anthem. Real-ass guitars — alternately lilting, scuzzy and soaring — ring out across wide sun-bleached spaces. In 2024, the cumulative effect is (in rock instrumentation terms) naturalistic. Any whiff of embalmed nostalgia is absent. Even the close of the album – a winding, almost Jerry Garcia guitar noodle that leads us out of Red Mile – is delivered without sentimentality. Principal songwriter Zach Choy’s lyrics are cutting but merciful, with a sharp self-awareness that never slides into self-satisfaction. [A blue color vinyl pressing is available.]