June Program Titles Released This Week:
Apex Manor – Heartbreak City CD/LP+MP3 (Merge)
Requiring less than two weeks of studio time to complete, it’s accurate to say that Apex Manor’s Heartbreak City was captured more than it was recorded due to the “everybody in the same room” live sessions featuring songwriter Ross Flournoy on guitar and vocals, Dan Allaire (The Brian Jonestown Massacre) on drums, and Rob Barbato on bass and production duties. The raucous result is a sonic spectacle that cleverly balances aggressive Dinosaur Jr-esque guitars with dreamy synth work that’s reminiscent of The Cure, all mixed together with spirited instrumental performances, nuanced melodicism, and lyrics that swing wildly between being cryptic and being profound. In short, it’s everything there is to love about early ‘90s pre-commercialized alternative rock but with a refreshingly modern absence of pretense or nostalgia. [Limited red colored vinyl pressing also available.]
Kishi Bashi – Omoiyari CD/LP (Joyful Noise)
Imagine being forced from your home. Imagine being sent to a prison camp with no trial, and no promise of release. Imagine all this happened simply because of the language you speak, the shade of your skin, or the roots of your family tree. For over 120,000 Japanese Americans, this was a reality during World War II. It’s a reality that Kishi Bashi seeks to reckon with on his latest release, Omoiyari. The strong conceptual elements of Omoiyari are driven by Kishi Bashi’s captivating musical score. Stepping away from his past loop-based production model, he embraced a more collaborative approach when recording, and for the first time included contributions from other musicians, such as Mike Savino (aka Tall Tall Trees) on banjo and bass, and Nick Ogawa (aka Takenobu) on cello. Kishi Bashi’s spectacular trademark violin soundscapes are still an essential component of his sound, but the focus of Omoiyari is centered squarely on its songs. [Exclusive indie-store-only colored vinyl pressing also available.]
Pip Blom – Boat CD/LP (Heavenly/PIAS America)
Dutch artist Pip Blom’s debut album Boat is as energetic as it is infectious. Recorded in a shipping container on the banks of the Thames in East London, its ten songs, alluding to the album’s title, ferry you through Pip’s headspace via expertly crafted compositions gelled together through their unassuming depth. There’s the kinetic combination of guitars from Pip herself and brother Tender Blom, the effortlessly captivating vocal range which can be authoritative and intent like in the driving album opener “Daddy Issues”, or soothing and warm as heard in melodic middle track “Bedhead”. Then there are the choruses that seem to stop songs in their tracks and lift them into a different stratosphere. Boat is an open book of Pip Blom, delivered via her undeniable knack for writing hook-laden, three to four-minute songs.