CDs + Vinyl:
Idris Ackamoor & The Pyramids – An Angel Fell CD/2xLP (Strut)
New album from cosmic jazz travelers The Pyramids, led by saxophonist Idris Ackamoor. Produced by Malcolm Catto of The Heliocentrics, An Angel Fell was recorded during an intense week at Quatermass studios in London and is one of the deepest, richest works yet from a band reaching their highest creative peak since the early ’70s.
Arctic Monkeys – Tranquility Base Hotel & Casino CD/LP+MP3 (Domino)
Arctic Monkeys return with their sixth album, entitled Tranquility Base Hotel & Casino. Produced by longtime collaborator James Ford and frontman Alex Turner, the highly anticipated 11-track effort was recorded in Los Angeles, Paris and London. “The first Arctic Monkeys album in five years is lush and claustrophobic at the same time – it calls to mind a guy going a little nutty in a small room in a nice house on a hill, constructing a fantasy world in his head and setting his visions to piano” (Rolling Stone). “The album’s title is a fitting one: this record feels a lot like gazing into the night sky. At first it’s completely overwhelming – you’ll be trying to connect the scattered dots on this initially impenetrable listen, and maybe even despairing when it doesn’t all come together. But when the constellations show through, you’ll realize that it’s a product of searingly intelligent design” (NME). [Limited colored vinyl pressing also available.]
Bad Wolves – Disobey CD (Eleven Seven Music)
From their massive cover of The Cranberries “Zombie”, driving anthems like “No Masters” to the syncopated Faith No More-worthy rocker “Better The Devil,” Bad Wolves’ new album Disobey showcases elements of rock, metal, hip-hop and progressive rock into a unique amalgam of music that is infectious. [Vinyl edition due May 25.]
Beach House – 7 CD/LP+MP3 (Sub Pop)
Beach House released B-sides And Rarities in 2017, which served as a proverbial “cleaning out the closet” to pave way for a new creative process. Their approach in the creation of 7 was rebirth and rejuvenation. “Looking back, there is quite a bit of chaos happening in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source (see ‘L’Inconnue,’ ‘Drunk In L.A.,’ ‘Woo,’ ‘Girl Of The Year,’ ‘Last Ride’). In a more general sense, we are interested by the human mind’s (and nature’s) tendency to create forces equal and opposite to those present. Thematically, this record often deals with the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny (see ‘Dark Spring,’ ‘Pay No Mind,’ ‘Lemon Glow,’ ‘Dive,’ ‘Black Car,’ ‘Lose Your Smile’).” – Beach House
Jean-Michel Blais – Dans ma main CD (Arts & Crafts)
The sophomore release by pianist and composer Jean-Michel Blais is an expansive album of post-classical piano with strands of electronic detail. Blending his conservatory skill and precise pop sensibility with synthetic accompaniment, Blais creates unique environments where the piano’s intimacy can be subtly disrupted at any time. Dans ma main weaves together expressive piano with austere synths in a double-helix of acoustic and electronic arpeggiation, tethering techno, industrial, ambient, and new age music to Blais’ solo piano essence. The album explores an everyday life awash in spirituality, stemming from Blais’ interplay with music as therapy. Compelled by the cathartic air that audiences exude in his pin-drop performances, Blais considers how music has served as a tool of wellness in his own life. From his prior career in special education, to the role classical and ambient music played soothing the Tourettic symptoms he experienced as a child, Jean-Michel’s new compositions subconsciously call upon these periods of his life, reimagining a serenity he had only experienced seated at the piano. [Vinyl edition due June 8.]