February Program Titles Released This Week:
Dashboard Confessional – The Best Ones Of The Best Ones CD/2xLP+MP3 (Hidden Note)
Dashboard Confessional’s first-ever career-spanning compilation, The Best Ones Of The Best Ones, is a thoughtfully curated collection of the band’s most beloved songs and features selections from all seven studio albums, the So Impossible and The Drowning EPs, and the band’s MTV Unplugged performance. From start to finish, The Best Ones Of The Best Ones showcases the profound durability of Dashboard Confessional’s music over the past two decades. The collection highlights singer/songwriter Chris Carrabba’s extraordinary ability to give a cathartic voice to the messiest of emotions, which led the band to ascend from a bedroom project to a global sensation. [Limited indie-exclusive burgundy colored vinyl pressing also available.]
Dan Deacon – Mystic Familiar CD/LP+MP3 (Domino)
Dan Deacon’s most emotionally open and transcendent record, Mystic Familiar’s eleven kaleidoscopic tracks of majestic synth-pop exponentially expand his sound with unfettered imagination and newfound vulnerability. It’s the first album where Deacon presents his natural singing voice, unprocessed and with only minimal accompaniment; a vulnerable shift in a songbook abundant with characters, metaphors, and distorted vocals.
Destroyer – Have We Met CD/LP+MP3 (Merge)
Dan Bejar initially conceived of Have We Met as a Y2K album. He was already active during the era but not heard overhead in a cafe or salon, which is perhaps what the idea of the Y2K sound evokes nearly two decades later. Bejar assigned frequent producer and bandmate John Collins the role of layering synth and rhythm sections over demos with the period-specific Björk, Air, and Massive Attack in mind, but he soon realized the sonic template was too removed from Destroyer’s own, and the idea of a concept was silly anyway. So, he abandoned it and gave Collins the most timeless instruction of all: “Make it sound cool.” Atmosphere and loose approximations of a place or feeling are what we’ve come to expect from any new Destroyer record – certainly not an easily defined and stridently adhered to theme or concept. Have We Met manages to meet somewhere between those disparate Y2K reference points and Destroyer’s own area of expertise, gliding deftly into territory that marries the old strident Destroyer with the new, aged crooning one of late.