Social Media Program Titles Released This Week:
King Buzzo – Gift Of Sacrifice CD/LP (Ipecac)
Gift Of Sacrifice is the second solo acoustic album from legendary grunge progenitor King Buzzo aka Buzz Osborne, frontman for the legendary Melvins. Buzz is accompanied throughout the record by Trevor Dunn (Mr. Bungle, Fantomas) who is credited on the album cover. A different kind of animal, Gift Of Sacrifice follow’s up Buzz’s last solo album, 2014’s This Machine Kills Artists.
Spoon – Girls Can Tell [Reissue/2001] CD/LP+MP3 (Matador)
Girls Can Tell served as Spoon’s stunning follow-up to 1998’s A Series Of Sneaks. The Austin, Texas indie rock outfit’s third studio album overall finds the extremely talented Britt Daniel developing into one of the most unique voices in rock ‘n’ roll with a remarkable maturity and economy to his songwriting. The perfect blend of craft and cool, Rolling Stone hailed Girls Can Tell as “A start-to-finish triumph!” Upon the album’s 15th anniversary, Under The Mag noted that, “Spoon have gone on to make some very good albums since Girls Can Tell, but they’ve never made one as great and one that expertly weaves their accessible and experimental sides quite as well.”
August Listening Station/Marketing Program Titles Released This Week:
Biffy Clyro – A Celebration Of Endings CD/LP (WB)
“This is a very forward-looking album from a personal perspective and a societal perspective,” explains frontman Simon Neil. “The title is about seeing the joy in things changing, rather than the sadness. Change means progression and evolution. You can retain everything you loved before, but let’s lose the bad shit. It’s about trying to take back control.” Sonically, Biffy Clyro playfully push the outer reaches of their sound to the extreme – often in the case of the same song. Opening track “North Of No South” hits hard before finding the space for the Johnston brothers to unleash some soaring Queen-style vocal harmonies, before “The Champ” throws piano, cinematic strings (conducted by Bruce Springsteen collaborator Rob Mathes at Abbey Road) and Biffy’s prototyped jagged rhythms into the mix without ever losing any of its sleekness. There’s the rush of “The Vertigo Of Bliss”, a detour into Sub Pop-style grunge and manic shrieks which wouldn’t sound out of place on a Liturgy record. But then it contorts again, first into ethereal orchestration and then with a final burst of violence. It’s an ending to celebrate. [Limited edition indie store exclusive vinyl pressing also available.]