November Program Titles Released This Week:
Bad Wolves – N.A.T.I.O.N. CD (Eleven Seven Music)
N.A.T.I.O.N. is the second album from heavy metal supergroup Bad Wolves. The band consists of vocalist Tommy Vext (ex-Divine Heresy, ex-Snot, ex-Westfield Massacre), drummer John Boecklin (ex-DevilDriver), lead guitarist Doc Coyle (ex-God Forbid), rhythm guitarist Chris Cain (ex-Bury Your Dead, ex-For the Fallen Dreams) and bassist Kyle Konkiel (ex-In This Moment, ex-Scar The Martyr, Vimic). “Taking inspiration from bands such as Pantera and Fear Factory it is easy to see the connections through all their tunes. The heavy drumming, the riffs, the vocals. An epic mix of fist to the air action.” – The Weekly Spoon [Vinyl edition due November 8.]
Big Star – In Space [Reissue/ 2005] CD/LP (Omnivore)
Big Star formed in 1971, and in their brief four years together, created three albums that consistently make “Best Of All-Time” lists. Eighteen years after officially disbanding, original members Alex Chilton and Jody Stephens joined forces with The Posies’ Jon Auer and Ken Stringfellow for a live performance, which led to a tour (documented on Live In Memphis), and years of concerts. While the live shows were a joy and surprise, a bigger surprise happened in 2005. After over a decade playing together: a new studio album. In Space featured new twelve tracks (eleven originals and a cover of The Olympics’ “Mine Exclusively”) recorded where Big Star began, at the classic Ardent Studios. The new line up was creating a new chapter for the band while minding and honoring its past. [Limited colored vinyl pressing also available.]
Black Marble – Bigger Than Life CD/LP (Sacred Bones)
Minimal synth stylist Black Marble releases his third studio album, Bigger Than Life. “For the album, the Los Angeles transplant has signed to Sacred Bones Records, joining a cast of musicians that includes David Lynch, John Carpenter, and Jim Jarmusch. While his sparse lo-fi pop might sound great behind any of their filmmaking, his music has also drawn comparisons to the work of John Maus, Cold Cave, and other recent champions of 1980s synth pop. On the single ‘One Eye Open’, he channels the pulsing rhythms of Oppenheimer Analysis, Unovidual, and others on the UK imprint Minimal Wave with the slick precision of years spent tinkering with analog gear. In a press statement, Christ Stewart says the song ‘is about the idea of an artist as sort of a sacrificial lamb.’ ‘‘One Eye Open’ is loosely based on the visual metaphor of a high wire artist in a three ring circus who elicits oohs and aahs from the crowd, but after a while starts to perform with one eye open as they grow restless.’” [Limited colored vinyl pressing also available.]