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Review: Yim Yames – Tribute To

Yim Yames – Tribute To
In 2001, with little more than a guitar and an avalanche of vocal reverb, My Morning Jacket frontman, Jim James, held a late-night tribute to the passing George Harrison. This is an intimate affair, traveling the arc of a six song set. Positioning Harrison’s Beatles compositions with choice cuts off his classic All Things Must Pass, it’s sequenced as only a true fan could have requested. Starting with the romantic pining of the White Album’s “Long, Long, Long” and ending with the plaintive reassurance of “All Things Must Pass”, James mirrors Harrison’s spiritual love and mystical calm throughout this homage. Even more fitting are the echoey vocals of Jim James, recalling the saturated production of Phil Spector who recorded All Things Must Pass. Whether its the ghostly, backwood bjango reading of “Love You To” or the stripped-down, overdubbed harmonizing on “My Sweet Lord”, Jim James will make you want to revisit the originals, which is the perfect eulogy a musician can give to a fellow songwriter.

Listen To: Yim Yames – My Sweet Lord

Review: Headless Heroes

Headless Heroes – The Silence Of Love

The theme of love – in sorrowing heartbreak and in glorious joy – has probably saturated more lyricist’s notebooks than one can care to imagine. So instead of writing anymore, why not just cover your favorites. That the idea two producers dreamed up when they hand-selected a crew of studio musicians to record renditions of slightly under-acknowledged gems. Whether Headless Heroes are tackling the fatalistic despondence of Jackson C. Frank’s  “Blues Run The Games” or the innocent optimism of Daniel Johnston’s “True Love Will Find You In The End”, the anchor to every song is the sonorous voice of indie-folk singer Alela Diane. Her elegiac delivery of Nick Cave’s “Nobody’s Baby Now” will leave nail marks in your skin as its undying mournfulness resurrects the memory of a lost love.  Besides the odd-fitting orchestrated pop of “The North Wind Blew South”, this collaboration executes a strong performance throughout.

Listen to: Blues Run The Game

Review: Black Rio Vol. 2

Various Artists – Black Rio 2: Original Samba Soul 1968-1981 (Honest Jons)

Outside of body waxing and soccer, Brazil is famous for its music. And while genres like samba, bossa nova and tropicalia gained international attention and commercial success, other localized styles required the unified efforts of a handful of fans to bring it across the equator to wider listenership. Brazil’s Black Rio movement pinpoints a moment when the influence of American soul and funk cross-fertilized their rhythms as well as their self-identity. Here, on Black Rio 2, London’s DJ Cliffy assembles a collection of tracks that swing from outright funk replication to samba soul that bears minor resembles to its American counterpart. Listen to Som Nossa’s “Pra Swingar”, and you’ll hear immediate mimicking of Kool & The Gangs oversized horn production, while James Brown is stamped all over the Cry Babies quick-paced version of “It’s My Thing”. But even when the tracks miss the album’s subtitled directive -the sunny, percussive bounce of Watusi’s “Oio Gere” seems authentically Brazilian – you can’t argue with the happy groove this collection will set you in. Squeeze it before summer’s last gasp.

Listen To: Som Nossa’s “Pra Swingar”