CDs + Vinyl:
Anaal Nathrakh – Whole Of The Law CD (Metal Blade)
“The Whole Of The Law is exactly what you would expect from an Anaal Nathrakh album which is short sharp blasts of industrial/black metal drenched extremity. What stops this lesson in hate becoming nothing more than a wall of unbridled noise is the occasional moments where the band dip their toes into areas that are a little groovier and, while it is a welcome release, these moments are fleeting respites in what is, for the most part, a psychotic display of mechanical rage.” – Pure Grain Audio
Answer – Solas CD/LP (Napalm)
Contemporary hard rock with Gaelic influences — epic arrangements, airy folk melodies.
Ólafur Arnalds – Island Songs CD+DVD (Mercury Classics)
The BAFTA-winning instrumentalist and producer brings you a unique and evolving audio-visual portrait of his home country of Iceland. “This project is on a scale that has never been attempted in the classical music world before.” [Vinyl edition due December 2.]
Joan Baez – Live In ’75 CD (Air Cuts)
Joan Baez, live from the S.N.A.C.K. Benefit at Kezar Stadium in San Francisco, on March 23rd, 1975 on a bill including Bob Dylan, Neil Young and The Band. Presented here is her entire set, originally broadcasted on K101-FM.
Kurt Baker Combo – In Orbit CD/LP (Wicked Cool)
A master of hooks and melody, Kurt Baker’s music embodies a feel-good spirit wrapped in a punk rock sheen inspired by music of decades past.
Lou Barlow – Apocalypse Fetish CDEP (Joyful Noise)
The Dinosaur Jr. bassist and all-around alt rock icon releases an all-ukulele EP. [Vinyl edition due November 11.]
Brandt Brauer Frick – Joy CD/LP (Because Music)
With much more grit and growl than before, BBF draw upon genres and styles that are not conventionally associated with joy: krautrock, punk, drum ‘n’ bass, indie rock, new wave, and pretty much every other “-wave” from the ’80s.
The Brian Jonestown Massacre – Third World Pyramid CD/LP (A. Records)
BJM’s 15th album includes guest appearances include Emil Nikolaisen from the Norwegian band Serena-Maneesh, plus vocal performances by Tess Parks and Katy Lane. “‘Good Mourning,’ the opening track is a melancholic song, as the rest eight tracks are loaded with psychedelic garage elements which is endemic of BJM’s sound.” – Last Day Deaf
Brownout – Presents Brown Sabbath Vol. II CD (Ubiquity)
Austin’s Brownout unleashed the Brown Sabbath Vol. I project garnering acclaim from outlets such as NPR (50 Best Albums of 2014), Pitchfork, hardcore Black Sabbath fans and most important of all Ozzy Osbourne himself, while staying true to their Latin funk roots. Brown Sabbath Vol. II cranks up the level, rocking harder than the original with a brew of ballistic horns, pummeling guitar-riffs underscored by a funky, driving rhythm section. Ghostland Observatory’s Aaron Behrens makes a guest appearance sharing vocal duties with Brown Sabbath lead vocalist Alex Marrero. Hitting harder than its predecessor and keeping closely in line with the original Sabbath material, Brown Sabbath Vol. II crosses over more to hard rock territory.