CDs:
Fred Anderson – Birdhouse CD (OkkaDisk)
With Jim Backer, Harrison Bankhead and Hamid Drake. “The best tenor player you’ve never heard.” — Down Beat
The Antlers – Familiars CD/LP+CD (Anti)
Familiars, the highly anticipated new album from The Antlers is their fourth studio album and follows 2011’s critically lauded Burst Apart. Familiars was recorded, engineered and produced by the band in their Brooklyn studio and mixed by Chris Coady (Yeah Yeah Yeahs, TV On The Radio, Beach House) at DNA Downtown Studios.
Elisabeth Ahlander – Om VI Ska Borja Om CD (Dikotomi Produktion)
Elisabeth Ahlander was one of the founding members of New Quidesty Blaise (later NQB) in 1968 and she kept the band touring until 1978. She kept her guitars but didn’t do much in public during the years. In 2012 she suddenly was contacted by Dikotomi Produktions Dick Lundberg who heard a demo recording from some years earlier and he suggested that a solo album should be recorded. Elisabeth was now writing new songs and Birgitta Pincott (Nursery Rhymes) who toured with NQB 1976-1977 came along and joined the project.
Big Freedia – Just Be Free CD/LP (Queen Diva Music)
As the first openly gay rapper to gain mainstream success, Big Freedia is the undisputed Queen of Bounce.
Mary J. Blige – Think Like A Man [OST] CD (Epic)
Original soundtrack to the new motion picture written and performed by R&B great Mary J. Blige. Features musical collaborations and production by Pharrell Williams and The-Dream.
Boris – Noise CD/2xLP+MP3 (Sargent House)
Boris has always demolished expectations of what a band can do musically and aesthetically. In keeping with that tradition, they again flip the script for the band’s first official release in three years buy serving up their most all-encompassing effort to date. Noise is an amplification of Boris’ endless pursuit of musical extremes while moving aggressive, intense rock into new territories.
Jaki Byard – The Late Show: An Evening With Jaki Byard CD (Highnote)
Jaki Byard always personified the past, present and future of jazz, wherever or whenever one might have been fortunate enough to experience his challenging ideas. An icon in the history of jazz, Jaki was Art Tatum, Earl Hines, Bud Powell, Ran Blake, Cecil Taylor and Bill Evans, all in one. Yet, like these fellow icons, he was his own uncompromising, unique, living entity. He isn’t a household name, but most likely his low profile is the result of an irresistible need to constantly reinvent himself, the sure sign of the consummate artist.